Photojournalism
My Photos
Esso Oil Refinery, Fawley
Npower Station, Calshot
I chose to photograph both the Esso Oil Refinery and the Npower Station because I find it quite juxtaposing that these two very large, industrial workplaces are situated in the New Forest. The New Forest became a national park in 1999 and inhabits a large range of wildlife with some of the most sought after landscape scenery in the whole of Britain. I thought that with these photos, it might stir up an environmental debate with the viewer regarding industry and nature. I hoped that the photos would pose questions such as ‘How are they affecting each other’, ‘can we have one without the other’ or maybe ‘how necessary are they both for society’. For the last decade, environmental awareness has become a lot greater, but it has mostly been of the mind set that industry is bad and is ruining nature. I think that the necessity for industry should be brought into the debate a little bit more.
However, as soon as I started to analyse my work, I realised that I fell into the trap of manipulating my image towards a certain agenda, when I didn’t mean to. Although I understand this to be an effective and useful technique for Documentary Practitioners, I hadn’t intended on doing it for my photos. I think that the influence of common conventions for this subject had swayed me towards doing this. I manipulated my photos during the post-production of these images.
I took the photos on the RAW setting of my DSLR camera. With these photos I used the P mode of my camera, as I wanted to get clear, high quality photographs. I used this mode because as a novice, I needed a little bit of help from my camera whilst I was finding my way around the technology and settings.
For the photo of Esso Refinery, my exposure had a setting of 1/125 shutter speed, f/5.6 aperture and ISO 100. I had a kind of ‘Ken Burns effect’ though as I cropped and zoomed in on my image to make the oil refinery seem a lot larger and make it fill the picture from one side of the frame to the other. I manipulated the picture to make the foreground of the fields and trees look lifeless and dull, whilst the refinery has a bit more light and detail to it. I did this by adjusting the ‘Basic’ settings in the RAW file editor of Photoshop.
For the photo of Npower Station, my exposure had a setting of 1/100 shutter speed, f/6.3 aperture and ISO 100. Unlike the photo of Esso Refinery, this image is pretty much the full photo as it was taken. It hasn’t been zoomed in at all, but it has been slightly cropped to remove a bit of road from view at the very bottom. I aimed for the same effect though by making the bushes darker and duller in contrast to the bigger and brighter Npower station. I also did this in the ‘Basic’ settings of the RAW editor.
I framed both the pictures in basically the same way. The ‘Horizon Line’ is also my main ‘Point of location’ as the viewers’ eyes are instantly drawn to the scale of the chimneys dominating the rest of the scenery. The foreground is out of focus compared to the background in these pictures as it gives the effect again of the refinery and power station dominating the scenery around it. This effect is also enhanced as they are both at a relatively low angle below the subject and this shows the ‘proportions of shapes.
Settings for RAW editing of Esso Oil Refinery Image
Setting for RAW editing of Npower Station
My Gallery
Group f/64
Group f/64 was a photographic association that had an emphasis on ‘Straight Photography’ and believed in promoting the unique qualities of the photographic process. The group was set up in 1932 by Ansel Adams, Imogen Cunningham, Willard Van Dyke and Edward Weston, among others. They created this group to combat the “artistic”, soft-focus style of photography that was popular at the time. They did this by highlighting the sharp images with a maximum depth-of-field and smooth, glossy printing paper in their work.
The importance they placed on using the maximum depth-of-field is referred to in the naming of the group, as f/64 is the smallest aperture size on the lens of any large-format camera of the time, and therefore, gave the greatest depth-of-field.
The group was based in California and they believed that photography should do more to celebrate the mediums unparalleled ability to capture the world as it was. Their inspiration came from the abundance of varying landscapes that they had at their disposal on the West Coast of the USA.
Image Sourced from http://pyramidbeach.com/2011/03/11/group-f64
Ansel Adams
Ansel Adams was one of the original co-creators of Group f/64 and is also known as being a pioneer in the art of photography. When Adams was a child, he was given a book that introduced him to the landscape photography of George Fiske, which instantly transfixed him with both nature, and photography. Throughout Adams career, he was dedicated to the preservation of the natural world and became one of the leading American environmentalists of his time.
Adams photos have become a record of what the national parks in California were like before travel and tourism intervened. Yosemite was a particular favourite destination of his and is where some of his most famous pictures have taken place. In 1940, his photographs also helped to designate the areas of Sequoia and Kings Canyon as national parks.
Adams, along with fellow photographer Fred Archer, created the photographic technique called the ‘Zone System’. This technique is a systematic method that optimises the exposure of a picture in all kinds of light and helps to achieve a final result that matches what the photographer had visualised when setting up their shot.
Image (left) sourced from http://en.wikipedia.org/wiki/File:Ansel_Adams_and_camera.jpg
Image (below) sourced from http://en.wikipedia.org/wiki/File:Looking_across_lake_toward_mountains,_%22Evening,_McDonald_Lake,_Glacier_National_Park,%22_Montana.,_1933_-_1942_-_NARA_-_519861.jpg
I enjoy the photography of Ansel Adams because I think his photos are instantly stunning and simple. I think he captures the beauty and vastness of nature, which is something that endlessly fascinates me. His work as an environmentalist is also something to be admired, especially in a time like now where the environment is a big global issue. With my photos, I have tried to tackle the same subject and I think that my use of the wide angle, especially in the photo of Esso, is something that Adams would have used himself.
Delly Carr
Delly Carr is one of Australia’ leading freelance photographers. His career has been primarily based around sports photography where he has won numerous accolades including the ‘Best Photograph of the 2000 Sydney Olympic Games’. His contribution to photography is recognised globally as he became the only Australian to be inducted into the World Photography Academy.
Away from his sports photography, he started a project of pop-culture community photography. Carr started this project after losing his father, and his grieving process led him to indulge himself in his childhood heroes like Batman and Superman. When going to see the latest Star Wars film at the cinema, he realised that there was a lot of people who were also committed to what were their own childhood icons, as the majority of the audience were dressed up as Star Wars characters. Having this connection and admiration for pop culture, be it both in sport and film, makes Carr a relatable photographer with immense popularity. An element that helps him with this is that he is also able to capture the humour in a lot of his subjects.
I personally admire Delly Carr because not only do I share an interest in what he photographs, but he also confesses to being a photographer simply for the love of photography. I personally find it hard to understand a lot of the technical side of cameras and photography, and this is something that Delly Carr also struggles with. He just uses cameras that he’s comfortable with and knows what he wants from them.
Delly Carr (Above) and Chewbacca (Left).
Images sourced from
2000 Sydney Olmpic Games Winning Photo (Below)
Image sourced from
http://www.subaru.com.au/active/ambassadors/delly-carr-sports-photographer